ArtsWA grantee photo by Squid

State of the Arts Education Survey

The 2025 State of the Arts Education Survey provides a comprehensive statewide snapshot of arts education in Washington’s K–12 public schools. 

Demographics of sample closely match those of Washington state

273 principals representing 277 schools

47.9% of Washington school districts had at least one school respond to the survey

Responses included:

  • Traditional public school districts

  • Charter schools

  • Tribal schools

  • Educational Service Districts

Note: data dashboard works best on Chrome

Results portray:

Strong educator commitment and creativity

Persistent structural constraints

Advancing equitable access to arts education statewide will require coordinated action across:

Policy

District leadership

Community partnerships

Funding structures

Across Washington, arts instruction remains widely available

Although access to arts courses does not consistently translate into sequential learning pathways

Schools offer various arts disciplines

Music 88%

Dance 7%

Theatre 25%

None 3%

Elementary schools most often provide exposure-based or rotating instruction, middle schools expand elective options

High schools offer the broadest range of advanced, specialized, and career-aligned coursework

Media Arts 40%

Visual Arts 74%

Beyond traditional disciplines

Schools described offerings in theatre, media arts, dance, literary arts, applied arts, and culturally rooted practices such as Mariachi, Folklórico, tribal arts, and storytelling.

Other 13%

General exposure → increasingly specialized pathways

Student interest has only grown over the past 20 years.
— Survey respondent

Frequency of Arts Instruction: Availability does not always translate into sustained instructional time

Elementary School

  • Overall frequency and intensity of elementary arts instruction remains limited

  • Most students receive one hour or less of arts instruction weekly

Middle School:

  • Arts courses offered as electives

  • Average of 1.1 arts credits required

  • Students often choose to enroll in additional arts courses when offered

High School:

  • One arts credit: graduation requirement per Washington State Board of Education

  • Arts courses can apply toward Personalized Pathway Requirements (PPR) aligned with their High School & Beyond Plan

  • Students have four elective credits that may include additional arts coursework

We currently have a 0.5 Arts and 0.5 Music teacher, which I feel fortunate to have but would love for those to both be full time.
— Survey respondent

Infrastructure and staffing capacity shape what schools are able to provide 

Formal planning structures are uneven

33% of schools have explicit arts education goals

24% of a district arts coordinator or facilitator

Schools have an average of 2 certified arts educators

7% of total staffing

Schools demonstrate strong commitment and adaptability in maintaining arts instruction

Some schools have sustained district arts leadership; others have eliminated these positions or folded them into broader departments

Arts staffing often depends on shared roles, short-term solutions, and external supports, particularly in elementary and small or rural schools

Teachers do not have the training or time in their school day to effectively [integrate] art [with other subjects] in a meaningful way.
— Survey respondent

Arts integration, professional learning, career-connected learning present uneven implementation patterns

Strong integration examples are rare

53% of schools report no teacher participation in arts integration professional development

Career-connected learning in the arts is developing but not yet universal

35% of secondary schools report a structured pathway connecting arts education to potential careers

Demand for professional education is high

Arts integration and culturally responsive arts teaching were the most frequently identified professional development needs, followed by career-connected learning

We need to expand the vision for arts learning beyond music and invest resources to support the teaching and learning of arts.
— Responding principal

Culturally responsive practice is an area of strength

Most respondents agree that arts instruction connects to students’ lived experiences and incorporates culturally relevant examples

Culturally responsive practices are embedded in instruction through:

Classrooms reflecting diverse languages and identities

Connecting artistic learning to community and lived experience

Opportunities for students to share personal and cultural perspectives

Culturally relevant materials and artistic traditions

Even in schools facing resource constraints, educators emphasize a strong commitment to centering student voice and cultural relevance in arts instruction

Great teachers are doing great work with willing students,
— Respondent

Schools report a variety of supplemental arts programming

Majority of schools offer supplemental arts programming

Before or After-school Programs 62%

Cultural Activities 60%

Extracurricular Activities (plays/ dance teams) 55%

Art Clubs 45%

Assembly Programs 72%

Field Trips 76%

High School Internships/ Apprentice-ships 18%

Private Lessons (through school) 7%

Community partnerships further extend learning opportunities

1/3 of schools report partnerships with arts or cultural organizations, higher for urban schools

Schools expressed interest in deeper, sustained collaboration and support

The 0.4 visual arts position is not funded by the district—it is paid for through a PTA grant,
— Responding principal

Funding emerged as the most significant structural constraint

58% of schools report inadequate funding as a serious barrier to expanding access, more than any other factor

Each school leverages funding from a unique combination of sources.

District General Fund 30%

PTA/PTO/
PTSA
22%

District Levies/ Bonds 16%

Parent Donations 13%

Booster Club 9%

Fundraisers 9%

Arts/Cultural Organizations 8%

Student Fees 7%

Donors Choice/ Amazon Wish List/ Other Online 6%

Ticket Income 4%

Washington State Arts Commission 2%

Federal Grants 3%

Across contexts, principals expressed a clear desire for more consistent, dedicated, and equitable funding structures to sustain and strengthen arts education.

Other 6%

The fine arts programs are dying in this state because decisions are constantly being made by administrators that are about $ and not about what is best for students.
— Educator

Statewide, the core challenge is not demand; it is capacity

Satisfaction

~Half of schools report satisfaction with the quantity of arts offerings

~2/3 report satisfaction with quality (slightly improved from 2009)

Assets:

  • Dedicated educators

  • Supportive partnerships

  • Strong student interest

Challenges:

  • Staffing shortages

  • Scheduling pressures

  • Uneven infrastructure

To strengthening equitable access:

  • Sustained investment

  • Coherent planning structures

  • Expanded professional learning

  • Clearer sequential pathways

  • Alignment between policy, funding, and practice